Archive for September, 2016

Mika Katsuragi (桂木美加) as communications officer Yuriko Oka, Monster Attack Team, The Return of Ultraman. 

Tsuburaya Productions, 1971.  Sources are, from top to bottom, here, here and here.

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Psychic TV, “Alienist,” Alienist. Dias Records, 2016.

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“Canine Kings Strike Regal Pose in Victory,” Montreal Star, September 26. Page 23.  

“Rulers all, the above dogs provided highlights in the Ladies’ Kennel Club of Canada show on Saturday with popular triumphs.  The winners show are, 1. Account Rendered, best of the Old English Sheep Dog breed; 2. the largest and smallest dogs in the show.  Wee Dolly, winner among Toy Manchester Terriers is perched upon the broad back of Manitou Dan, tops among St. Bernard’s; 3. Sunderland Blue Splendor, leading Collie dog; 4. Golden Sunset offers the cameraman a cocky pose after winning the Chow dogs honors; 5. Golden Play Boy, best wire haired terrier senior party; 6. Unze Von Som, best of breed for Boxers.”

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“The good and bad aspects of the warrior’s character represented
by the poet of Beowulf are strongly analogous with the warrior characterisations represented in Irish and Welsh mythology. It is true that
characters such as Efnisien and Finn were, to some extent, more anti-authoritarian and, perhaps, malevolent than Beowulf. Yet, if we were
to amalgamate the characters of Beowulf and Grendel then we would
probably see a more realistic portrayal of the Anglo-Saxon warrior
initiate. The poet of Beowulf deliberately portrayed the Anglo-Saxon
hero as the ultimate ideal of a warrior. Indeed, this need to emphasise a noble role for the warrior in Christian society strongly suggests
that unstable warrior fraternities were prevalent within eighth-century
English society. The Anglo-Saxon law codes certainly suggest that this
was the case. For example, the late seventh-century Law of Ine (king of
Wessex 688–725) differentiated between the sizes of brigand warrior
bands in the following way:

We use the term thieves if the number of men does not exceed seven,
band of marauders for a number between seven and thirty five. Anything
beyond this is a war band.

According to Ine’s law codes any man belonging to a raiding party
was required to clear himself by an oath equal to his wergeld (honour
price). This suggests that warriors involved in large scale raiding
activities would have remained the responsibility of their kindred.
Paradoxically, a member of a marauding band appears to have been
outside the system of wergeld payments although he was required to
pay a fine for joining such a disruptive group. Furthermore, Ine’s
legislator clearly felt that thieves should be completely outside of the sphere of kinship responsibility. Yet, in spite of the social exclusion
of the brigand-warrior an attempt does appear to have been made
by the ninth-century compiler of the Laws of Alfred (871–899) to draw
such marauding bands away from the margins of society. For example,
Alfred 26 states:

If one of a band of marauders slays an unoffending man whose wergeld
is 200 shillings, he who acknowledges the blow shall pay the wergeld and
the fine; and everyone engaged in the affair shall pay 30 shillings compensation for belonging to such a band.

Alfred was clearly attempting to curb the insular lawlessness that had
been facilitated by the political and social instability of the early years
of his reign. Nevertheless, such fines must have been particularly difficult to impose without the aid of a substantial military force. Indeed,
this is made clear by a dictum from the tenth-century Law of Æthelstan
(924–939) which note that the officials of each hundred were obliged
to pledge that if any band

…whether nobles or commoners within or beyond the borders of our
district—become so strong and powerful as to prevent us from exercis-
ing our legal rights, and stand up in defence of a thief, we shall ride out
against them in full force…

As we have seen from the Welsh, Scottish and Irish evidence, such war
bands were notoriously difficult to control. Despite their marginal status
some war bands undoubtedly received a degree of support from their
local communities. It must have often been impossible to differentiate between the actions of brigands and murderers and those of the war
bands of powerful individuals. This was made clear by the reforming
archbishop, Wulfstan of York (d. 1023) who complained about the
violence that was plaguing English society at the beginning of the
eleventh century. In his Sermo Lupi ad Anglos (The Sermon of Wolf to
the English) the prelate bemoaned the fact that

Here (i.e. within English society) are slayers of men and slayers of kins-
men and killers of priests and enemies of the monasteries; and here are
perjurers and murderers…and those who kill children…and here are
plunderers and robbers and those who despoil…

The Anglo Saxon Chronicle reveals that when powerful men were exiled
or outlawed they invariably conducted activities of violent rapine from
marginal wilderness locations. For example, the chronicler notes that
following his exile in 1044 the Danish born nobleman Osgod Clapa
returned to ravage the coastline of Essex in 1049.204 In the following
year Swein Godwineson, who appears to have been exiled for his abduction of the Abbess of Leominster in 1046, returned to the south coast
of England with a fleet of eight ships and abducted and murdered his
cousin Earl Beorn. When Swein’s brother, Harold Godwineson, was
exiled several years later he ravaged the coastal districts of the Severn
estuary with his war band. Furthermore, Earl Ælfgar of Mercia was
outlawed in 1055 and following this he allied his forces with a Welsh war band and plundered the town of Hereford. Similarly, in 1067
an individual named Eadric the Wild attacked the Norman garrison
at Hereford with the aid of a Welsh force and inflicted heavy losses. Eadric was the nephew of Eadric Streona, who had been the powerful ealdorman of Mercia during King Æthelred’s reign. He appears
to have held substantial lands in Herefordshire and the Welsh marches
prior to the Conquest.  Eadric refused to surrender to Norman rule
following the English defeat at Hastings. As a consequence, Norman
troops under the command Richard fitz Scrob ravaged his lands from
their garrison in Hereford. Eadric fought back and inflicted great losses
upon the Normans. The twelfth-century commentator Orderic Vitalis
noted that Eadric attacked the Norman garrison at Shrewsbury along
with the men of Chester and “other untameable Englishmen” ( ferocibus
).  Interestingly, Orderic identified Eadric to be a member of
the fierce silvatici. These were bands of Englishmen who put up stiff
resistance against the new Norman regime following the Conquest.
They conducted themselves with the traditional ferocity of the Anglo-Saxon warrior and operated from wilderness bases, refusing to live
within houses lest they became soft. In many ways then, the silvatici
would appear to have resembled Irish fían groups or the warbands of
youthful ynfydion that were operating from wilderness locations in Wales.
The Abingdon Chronicle reported that following the Conquest Englishmen
from all ranks of society were lurking in the woods and on islands and
plundering those who came their way.

These groups have been viewed
as part of a wide network of political resistance towards Norman rule but this was not simply a political movement. There was little other
recourse for individuals who had lost their status other than to take
to a transitional life of plunder in the wilderness. Eadric’s nickname,
se wilda, ‘the wild’, appears strongly analogous to the names attributed
to fictional individuals who existed within the warrior fraternities of
the Irish tales, the Mabinogion or Beowulf. That Eadric came to be associated closely with the survival of Anglo-Saxon cultural and ethnic
identity should be no surprise. In many warrior societies identity was
established and perpetuated through acts of violence. Indeed, Eadric
and the other silvatici were opposed to the drastic cultural changes
brought about by the Conquest and they expressed their opposition in
a traditional manner.

Hereward the Wake, a contemporary of Eadric the Wild, also
appears to have been regarded as a guardian of Anglo-Saxon cultural
identity in the immediate post-Conquest period. Like Eadric, Hereward and his war band practised guerrilla style warfare against the
Normans from the marshy regions of the Cambridgeshire Fens. The
Anglo-Saxon Chronicle ambiguously portrays Hereward as both a violent
plunderer of monasteries and as a courageous and defiant leader. This portrayal aptly reflects both the benevolent and malevolent sides
of the warrior’s character. A detailed account of Hereward’s life exists
in the Gesta Herewardi Saxonis, which was composed during the first half
of the twelfth century. Many of the events within the Gesta appear to
have been fabricated; however, it does provide us with some illuminating details about early twelfth-century perceptions regarding the likely
fate of such a warrior. The author relates that as a youth Hereward was a quarrelsome
individual who was

… tough in work and rough in play, readily provoking fights among those
of his own age and often stirring up strife among his elders in town and

The author of the Gesta felt that Hereward had

…spared nobody whom he thought to be in any way a rival in courage
or in fighting. In consequence he often caused strife among the populace
and commotion among the common people.

Hereward’s behaviour, therefore, exemplified the kind of riotous behaviour that we have come to expect from a warrior initiate. The author
notes that shortly after Hereward had turned seventeen he was expelled
from his family home and went into exile on the continent. He did
not return until after the Norman Conquest when he found that his
lands had been confiscated and that he had lost his status. He subsequently formed an egalitarian war band and pursued a violent vendetta
against those Normans who had usurped his patrimony and killed his
brother Hereward’s war band are portrayed living a life of plunder
and conducting a long standing insurgency against the Norman forces.
Indeed, the author of the Gesta deliberately depicted Hereward’s band
as members of a fraternity who were striving to retain their cultural
identity through violent war-like behaviour. Moreover, Thomas argues
persuasively that this post-Conquest author was writing with a specific
purpose; he was attempting to reassert the fighting prowess (and therefore the warrior manhood) of the Anglo-Saxon people.

It appears likely that conservative Old English warrior fraternities
continued to create problems for their new French speaking overlords
for decades after the Norman Conquest. The Welsh chronicle the Brut y
Tywysogyon noted that in 1109 a band of ‘Saxon’ warriors were ravaging
the Marcher territories of South Wales in a similar manner to Eadric
the Wild. Interestingly, these warriors appear to have formed an
accord with a like-minded Welsh war band in an inter-ethnic alliance
closely analogous to the one that had been struck between the exiled
Earl Ælfgar of Mercia and a band of Welsh warriors in 1055 or, indeed, between the warrior bands of the British leader Ingcél Cáech and the
Irish fían in Irish tale Togail Bruidne Da Derga discussed earlier.”

– David Wyatt, Slaves and Warriors in Medieval Britain and Ireland, 800 -1200 (The Northern World). Brill: Leiden & Boston, 2009. pp. 102-110.

Photograph is “Hengist Wittes Sohn,” Federfrei. “Picture by Daniel Wolfen. Saxon warriors around 800 AD, franko-saxon war, in winter dress. Material is woll, leather and linnen. All clothing is self- and handmade.”

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Training of policewomen, possibly 1909. 

National Photo Company, Library of Congress.  No additional information is provided about these trainings, but another photograph that comes up identifies another training of the Women’s Bureau of the D.C. Police Dept.


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September 24, 2016: a new episode of The Anatomy Lesson at 11pm EST on CFRC 101.9 FM ( cfrcradio). Music by Sister Grotto, Puce Mary, Author & Punisher, Âmes Sanglantes, Wrekmeister Harmonies ft. members of Godspeed You! Black Emperor, The Revolutionary Army of the Infant Jesus, Zola Jesusdaniellefrickemusic and more. Check out the whole setlist below, tune in at 101.9 on your FM dial, stream athttp://audio.cfrc.ca:8000/listen.pls or download the finished show at cfrc.ca.

Danielle Fricke – “Grey” Moon
Sister Grotto – “Song for an Unborn Sun” Song for an Unborn
Insect Ark – “Symbols” Long Arms (2013)
Magik Markers – “Empire Building” Surrender to the Fantasy (2013)
Author & Punisher – “Women & Children” Women & Children (2013)
Âmes Sanglantes – “Astral Revelations” Split with The Vault (2009)

Zola Jesus – “Orthodox” New Amsterdam (2009)
Revolutionary Army of the Infant Jesus – “Nativity” Mirror (1991)

Wrekmeister Harmonies

– “Where Have You Been My Lovely Son?" Light Falls

Wrekmeister Harmonies – "Some Were Saved Some Drowned” Light Falls 
Ian William Craig – “An Ocean Only You Could See” Centres
Puce Mary – “The Temptation To Exist” The Spiral 

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Nick Klein, “Pain Management Resource,” The Lonesome Dealer. Alter, 2016.

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“Germania,” by Karl Arnold, Simplicissimus. Vol. 37, Issue 25, September 18, 1932. p. 292.

“Nichts zum Anziehen, aber standig in Sorge um die neue Hutmode.” [Nothing to put on, but constantly worried about the new fashion.]  

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“The ritually violent behaviour of male warrior fraternities was not simply a phenomenon associated with ‘Celtic’ societies. Similar fraternities
can be identified operating within the Germanic cultures of Scandinavia
and Anglo-Saxon England.  Indeed, the archaeological evidence from
cemeteries strongly suggests that systems of age-grading existed in both
societies during the pre-Christian era. Research has revealed that the
age of twelve was an important threshold in the male individual’s life
cycle.  It is from this age group that shields and swords are found
deposited in male graves suggesting the bestowal of arms and the
beginning of the transition into man-hood.  A second threshold may
have been crossed around the age of fifteen after which the orientation
of the graves becomes more standardised, a greater number of grave
goods are deposited and grave structures and coffins become more
common.  This would appear to signal the attainment of manhood
and full warrior status. The abundance of weaponry associated with
such adolescent male graves is indicative of a society in which male
identity and violent behaviour were closely linked.

By far our richest source of evidence regarding such warrior groups
comes, once again, from the literary texts. This is especially true with
regards to the Old Norse sagas, many of which were written down in
Iceland during the twelfth and thirteenth centuries, much later than the
events they describe. The sagas therefore constitute a problematic body
of sources but, like the Fenian literature, they do clearly convey the ideals,
concepts, values and taboos of their contemporary warrior audience
whilst also providing evidence concerning expected behavioural traits
and information about rituals and initiations.  Strong cultural affinities existed between Scandinavian society and the societies of medieval
Britain and there was, of course, substantial Scandinavian settlement in the British Isles. So a closer examination of this material will provide
a useful and relevant parallel.

In the mythical Saga of the Volsungs an initiate youth, named Sinfjotli,
exhibits characteristics which are strongly comparable to the Old Irish
fían warrior and the practice of díberg. Sinfjotli is said to be a youth
who is not yet of age to seek vengeance. The saga relates that he “did
not put much store in kinship” suggesting that, like the fían member,
he had distanced himself from his kindred group and removed him-
self from the blood-price compensation system. Sinfjotli also resides
in wilderness locations and, together with an older warrior named
Sigmund, pursues a life of ritualised brigandage. Like the fían, these
warriors are closely associated with wolf-like or canine characteristics
and undertake ritual transformations; donning magical wolfskins and
declaring an oath to kill and maim.  Following this declaration, Sigmundr and Sinfjotli then rampage around forest locations slaughtering
folk indiscriminately and howling like a wolves whilst enveloped in a
these canine carcasses. 

A war band referred to as the Jómsvikings also constitute a warrior
fraternity which appears to be closely analogous to those evident in the
societies of medieval Ireland and Wales. The Jómsvikings feature in a
number of sagas dating from the late twelfth and early thirteenth centuries, including Oláf Saga Tryggvasonar, Fagrskinna Saga, Snorri Sturlusson’s’s
Heimskringla and the eponymously titled Saga of the Jómsvikings. The
Jómsviking element in these sagas appear to have been based upon ear-
lier skaldic oral traditions regarding a war band involved in a struggle
between the Norwegian earl Hákon Sigurðson and Danish forces in
the late 10th Century. The Saga of the Jómsvikings portrays an exclusive
warrior fraternity based in the marginal location of an island fortress.

This microcosmic warrior society had its own hierarchy, rules and codes of behaviour described in the following manner:

…no one might join the company who was over fifty or under eighteen.
All members were to be between these ages. Kinship must not weigh when
considering for membership a man who wished to join. No member was
to flee from any man who was his equal in bravery and as well armed
as himself. Each member must avenge any other member as though
he were his brother. No one was to utter words of fear or be afraid of
anything, however hopeless matters looked. All the booty brought in
from their expeditions was to be carried to the standard- of whatever
value, big or small- and anyone not abiding by this rule must leave the
company…No one was to have a woman in the fort, and no one was to
be away for more than three days. And if it became known after a man
had been admitted into the company that he had earlier slain the father
or brother or some other near kinsman of another member, Palnatóki
was to be the judge…

This extract exhibits a number of, by now, familiar characteristics
associated with the medieval warrior fraternity; the Jómsvikings were
thought to be an exclusive all-male group who placed a high value on
prowess and violence; the fraternity was regulated through age grades,
personal qualities and initiation rituals; it was seperated from blood
price compensation systems and kindred groups but, with substituted
bonds of fictive kinship; it was relatively egalitarian in ethos but nonetheless structured with an internal hierarchy and with a clear leader
in the character Palnatóki.

The Saga of the Jómsvikings provides an exaggerated literary construction of a relatively common social phenomenon. Indeed, the powerful
significance and prolific nature of comparable fraternal warrior groups
in the medieval Germanic societies has been widely acknowledged. The well documented Berserkr characterised in Old Norse sagas as violent
youthful warriors who assume ursine or canine qualities, provides further flesh to these bones. Berserkrs generally occur in pairs or groups of twelve;
when in groups they usually constitute either a band of outlaws or an
elite band of warriors. The etymology of the term berserkr is disputed.
It may derive from bare-sark or ‘bare-shirt’ referring to the berserkr’s habit
of going ‘naked’, or rather, unarmored into battle. Snorri Sturlusson
records this tradition in Ynglinga Saga relating that these warriors (whom
Snorri associated with the pagan god Oðin) 

…went without mailcoats, and were frantic as dogs or wolves; they
bit their shields and were strong as bears or boars; they slew men, but
neither fire nor iron could hurt them. This is known as ‘going berserk’

Others have contended that the term should be read bear-sark or
‘bear-shirt’ describing some form of animal-skin dress, mask or hair
style. This is clearly in keeping with Sinjotli and Sigmund’s donning
of magical wolf skins in the Saga of the Volsungs. The earliest recorded
use of the term berserkr occurs in the skaldic verse Haraldskvædi, a praise
work to the late ninth century Norwegian king Harald Finehair. This
described these warriors as “wolf-skins” (úlfheðnar) a term which also
appears in a number of later sagas including Grettirs Saga and Vatnsdæla
. This label is clearly suggestive of acquired magical shape shifting
qualities; with berserkr warriors being perceived as marginal figures who
blurred the boundaries between the human and animal worlds. Like
the Irish hero Chú Chulainn, the berserkr, too, was thought to actually
swell and change into bestial form, or at least to assume the ferocious
qualities of the wolf or bear. Kveldulf in Egils Saga was spoken of as
such a shapechanger, and Hrólf’s Saga Kraka tells of the hero, Bjarki, who assumed the shape of a bear in battle. These animal-like states
are also associated with the violent frenzy mentioned by Snorri in the
extract from Ynglinga Saga, above, and known as berserksgangr.

This frenzied state imbued the berserkr warrior with a magical immunity to weapons. Some berserkrs were thought to be inherently possessed
of this immunity while others performed rituals to induce it. This perceived immunity to weapons may also have been connected with the
animal-skin garments worn by the berserkr and associated with shape
shifting capabilities. Berserksgangr might have been induced through
the consumption of drugs such as the hallucinogenic mushrooms or
alcohol; practices which correlate generally with ritual usages. The
condition has been analysed by the psychologist Howard Fabing who
wrote a fascinating neurological enquiry into the phenomenon during
the 1950’s. In light of Thomas Jones’s chosen translation of the Middle
Welsh term ynfydyon, above, it is extremely interesting that, similarly,
Fabing associated the frenzied state of the Scandinavian warrior with

This condition is said to have begun with shivering, chattering of the
teeth, and chill in the body, and then the face swelled and changed its
color. With this was connected a great hot-headedness, which at last gave
over into a great rage, under which they howled as wild animals, bit the
edge of their shields, and cut down everything they met without discriminating between friend or foe. When this condition ceased, a great
dulling of the mind and feeble-ness followed, which could last for one
or several days.

Unsurprisingly, given their capability for such unpredictable behaviour, attitudes towards berserkr warriors appear to have been somewhat
ambivalent. Indeed, the berserkr’s place in society was limited by the
terror and violence that was associated with berserksgangr. As superb
warriors, they were due admiration; like the fían, berserkrs were employed as a kind of militia or mercenary force by powerful men. A key role
of the berserkr seems to have been as as a warrior attached to a king’s
retinue or bodyguard. Furthermore, a number of rulers are said to
have employed berserkr shock-troops at the front of their battle ranks;
a tactic clearly intended to terrify opposing forces. Outside of these
honourable roles, however, the berserkr became the stock villain of the
sagas, typified as murderous brutes. … berserkr warriors were also closely associated with uncontrollable sexual
violence and the abduction and rape of individuals, particularly
women.  Saxo Grammaticus, a Danish cleric writing during the first
decade of the thirteenth century, raised the following complaints concerning such warrior forebears: 

So outrageous and unrestrained were their ways that they ravished other
men’s wives and daughters; they seemed to have outlawed chastity and
driven it to a brothel…Husbands were tormented with fear, their wives
by the sport made of their bodies. Outrage was submitted to; respect
for matrimony disappeared and sex combined with violence became the
norm …

Later, in the same volume Saxo makes a further association between
the virilisation of youths and violent behaviour lamenting that the
young Danish warriors 

…would harry and pillage the neighborhood, and frequently spilt great
quantities of blood. They considered it manly and proper to devastate
homes, cut down cattle, rifle everything and take away vast hauls of booty, burn to the ground houses they had sacked, and butcher men and
women indiscriminately.

Another clerical commentator from the region, Adam of Bremen who
was writing in the 1070’s, somewhat closer to the events he described,
noted that such activities were characterised by indiscriminate slave-taking raids. Adam commented how these Viking warriors 

… pay tribute to the Danish king for leave to plunder the barbarians who
live about the sea in great numbers. Hence it also happens that the license
granted them with respect of enemies is frequently misused against their
own people. So true is this that they have no faith in one another, and as
soon as one of them catches another, he mercilessly sells him into slavery
either to one of his fellows or to a barbarian.

Although the berserkrs appear mainly in the saga materials, the twelfth-
century Icelandic law tract Grágás includes several provisions which
suggest that such warriors existed and that they created real problems
for the community. Under a section of the laws dealing with treatment
of homicide there are several provisions regarding the penalties for
raiding in Iceland. These refer to bands of men residing in “islands
or caves or fortified places or ships” who “take peoples property from
them against their will or beat or bind or wound people if they have
the power.” Grágás relates that such men might be slain with relative impunity whilst they were raiding and were clearly excluded from
kindred networks of compensation. Nonetheless it is made clear such
raiders could be summoned to a legal assembly and that they might  collude with individuals who remained within the community. Furthermore, a specific provision exists within Grágás regarding bereserksgangr,
it appears under a sub-section dealing with punishments for residual
pagan activities such as the worship heathen beings, and the use of
witchcraft and sorcery and states that

If a man falls into a berserk frenzy, the penalty is lesser outlawry, and
the same penalty applies to the men who are present unless they restrain
him—then they are liable to no penalty if they succeed in restraining him.
But if it happens again, the penalty is lesser outlawry.

Lesser outlawry ( fjorbaugsgarðr) was a sentence of three years’ banishment from the country, further suggesting that berserkr warriors and
their companions, like Icelandic raiders and indeed the Irish fían, might
be exiled and legally removed from their kin group and community.
Moreover, berserksgangr like the practice of díberg was clearly associated
with pagan and magical practices which were deemed unacceptable (but
were nonetheless still practised by certain elements) within Christianised
Icelandic society. Berserkr warriors therefore clearly display a number of
traits that are closely comparable to those of their ‘Celtic’ counterparts;
i.e. placing a high value on prowess and strength; indiscriminate violence, plunder, abduction and rape; semi-nakedness and/or distinctive
dress or adornments; an association with marginal locations and the
natural world; canine/ursine symbolism and ritualistic pre-Christian

– David Wyatt, Slaves and Warriors in Medieval Britain and Ireland, 800 -1200 (The Northern World). Brill: Leiden & Boston, 2009. pp. 94-101.

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“Meaford Anglers Give The Fish Warning of the Derby to come Sept. 30 and Oct. 1,” Toronto Star, September 18, 1938. Page 18.

There are 30-Pounders Running Off Meaford, They Say. The wind was running high when the Meaford chamber of commerce have a preview of its fishing derby.  Although they talked of catching a lake trout weighting 30 pounds, none that size appeared at the week-end. Patricia Dillon, Louise Booker and Lorraine Solomon (left to right, top centre) were on hand to show samples of the fishing.  Doris Eagles and Margaret Durant (bottom left) and Blanche Crowell (bottom right) tried their luck against the weather.  The fishing derby is Sept. 30 and Oct. 1.”

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“Sieg der Republik – in Spanien,” by Thomas Theodor Heine, Simplicissimus. Volume 37, Issue 25, September 18, 1932.

Simplicissimus celebrates the defeat of monarchist and militarist attempts to destroy the Spanish republic – clearly drawing an analogy to the crisis in Germany.

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La Patrie, September 18, 1938. Page 01.

“Il est notoire que l’huitre déteste le bruit. Saviez-vous cependant que, courroucée contre celui qui l’ennuie, elle se venge en fabriquant au profit de son bourreay une petite fortune? C’est rendre le bien pour le mail! Mademoiselle Sally MacFarlane exhibe, ici, une merveilleuse rivière de perles de culture, produits de l’irritation de quelques huitres!”

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September 17, 2016: a new episode of The Anatomy Lesson at 11pm EST on CFRC 101.9 FM ( cfrcradio). Storm noises. Music new and classic by: composer (and occasional electro-acoustic musician) Ann Southam, Af Ursin, Futuro Antico, Canadian improvisional jazz group Fat, Rob Mazurek & Emmett Kelly, RBC, and 5599 (collaboration between Jean-Marc Foussat and Augustin Brousseloux). Check out the whole setlist below, tune in at 101.9 on your FM dial, stream at http://audio.cfrc.ca:8000/listen.pls or download the finished show at cfrc.ca.

Rob Mazurek & Emmett Kelly – “Back to the Ocean, Back to the Sea” Alien Flower Sutra
Ann Southam – “Fluke Sound” Seastill: The Electronic Music of Ann Southam (1989/1998)
RBC – “Rêve 1” Reality Beyond Consciousness
5599 – “Le Bruit des Tempetes” Heureusement Que Le Sang Sèche Vite
Af Ursin – “Aphanes” Aura Legato (2005/2016)
Futuro Antico – “Shirak” Futuro Antico (1980/2014)
Fat – “ESP” Plays For You (1988)

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La Patrie, Journal Du Dimanche. September 11, 1938. Front page.

“It’s the start of school! The vacations were nice, the days of sun – numerous.  Outside sports reinforced you.  Students, its the time for work.  You’re not as unhappy as you let on to return to your professors, your companions, your studies.  Good luck!”

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“L’armée canadienne à Montréal,” La Patrie. September 12, 1938. Page 08.

“Prés de deux mille soldats qui ont pris part aux exercises militaires au camp Borden, récement, sont passés par

Montréal ou ils ont bivouaqué au manège militaire de la rue Craig.  On voit ci-dessous le colonel H. Westmorland, R.C.A., S.C., qui avait le commandement de toutes les troupes.”

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